Originally Posted by ChrisLayerUK
Modern MQA recordings at 24/48 or 96 resolution (Digital reference) Have extraordinary sound quality which has to be attributed to better quality equipment and MQA working in harmony. From my point of view, it would appear to make higher res versions unnecessary going forward.
I do wonder if any focus on the 'origami' and unfolding has been unhelpful in terms of it's relationship to the established model of what Hi Res is, in terms of bit depth and sample rates? 16/44 MQA may be showing us a much more revolutionary/transformational model for digital audio?

Despite the very vocal detractors, perhaps MQA is more radical than anyone dared consider?

Zone 1: 861v8+ID41, 818V3, UHD722, Shunyata Denali, Network Acoustics Tempus, DSP7200SE, DSP5200SE
Zone 2: 818v3, PS Audio P5, DSP 7000, SOtM sNH-10G, Mutec Ref120, Ultra Dac, Cavalli Liquid Gold, Hifiman Susvara
Zone 3: Antipodes Oladra, PS Audio P20, SOtM sNH-10G & sCLK-OCX10, Devialet Expert 1000 Pro Amplifier, Wilson Benesch Act One Evolution