Understood Carl, but my point was that SE DSP speakers apparently seem to have a way of manipulating an MQA signal in the digital domain to apply (effectively) forms of room correction. Yet we are told that the signal must be bit-perfect and that the MQA goodness cannot survive digital room correction or DSP systems like Trifield. It is the apparent contradiction that is worrying me.

In the spirit of Spinaltap, I would like to confirm that I am not involved in the corrupt theft of a global sport.