I wouldn't count Meridian out of immersive audio. They are well versed with Dolby I would say.
Now, DTS:X I have no idea about. But DTS may have 90% of BD audio today? (I know there are sites with proper numbers) but the larger share atleast. So DTS can not be ignored. But 16 channels would cover both proper?
DSP8000SE, DSP7200SEHC, DSP5200SE sides, DSP7200SE rears, 861v8, 210, Sim2 Ultranero 4, Stewart Cinecurve 2.35:1, XEIT CM-5E Anamorphic lens, Dune HD Duo Cinema 8K and Wireworld Platinum 48G HDMI -> UHD722 -> Shunyata Omega Ethernet. Shunyata/Furutech power-cables/filters. SR Master Fuse@861v8. Uptone Etherregen with 10MHz OCXO clock.
Maybe, but I have a feeling that more fundamental changes to the 861 processing architecture will be required. I may be wrong but I don't think M will be joining the Atmos\DTS:X party for a while.
Nah M is coming out with upgrades (yes, will be a architecture change to support decoding/multiple channels/processing)- the only question is $$ for upgrade/or switch.
I hope your info is correct. However, I’d be surprised if we see anything within 12 months. They will probably have to release an updated HD621 first (and the current model didn’t exactly make a swift appearance). Also, I’m not sure I want to spend £££ on a first generation processor – there are too many new formats converging at the moment
It will interesting to see how successful DTS is in getting back into cinemas with its licence-free ‘MDA Creator’. Regarding BR content, it appears that Atmos can be fairly easily converted to DTS:X (ar least according to this ) which is very encouraging. Early adopters will have to rely on Neural:X (which up samples existing DTS HD content) for quite a while I fear.
Main system - Sources (Kodi-HTPC, Vero 4k, FireTV, Sat) into Trinnov Altitude 32 (8-16) (+Roon), Trinnov Amplitude 8 amp & Vivid Audio (Giya G3, V1.5) and REL Stentor III speakers. Others: F80 + Raspberry Pi and other Pi systems.
Maybe when ALL films are released in Atmos the consumer demand will increase, currently I see it as very niche, it will be interesting to see if it survives in the longer term? 3D anyone!
While some want the best SQ and will raid their piggy banks for those 8ks and the ultimate 2 channel system, others want the best home theatre system for film also. The new sound formats add an extra dimension to the audio. And, even if another Atmos\DTS:X sound track never sees the light of day, you can still make use of those extra height channels, via the upsampling algorithms, DSU and Neural:X for all existing BRs. The former is pretty good by all accounts.
Main system - Sources (Kodi-HTPC, Vero 4k, FireTV, Sat) into Trinnov Altitude 32 (8-16) (+Roon), Trinnov Amplitude 8 amp & Vivid Audio (Giya G3, V1.5) and REL Stentor III speakers. Others: F80 + Raspberry Pi and other Pi systems.
Meridian has always been keen on height channels - didn't they demo something similar at CES?
@Cliff. I know you are really into object-based HT audio, but this thread does seem to bear the hallmarks of the old pre-HD621 Blu-Ray threads... except (in my perhaps hazy judgment) there is less interest.
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I agree, and I’m under no illusion that having 9+ speakers in my living room puts me into the very small minority of HT devotees. I do however believe that these new formats will find their way into more mainstream consumer products in the longer term especially with low cost processing power becoming readily available. For example, what about a soundbar where different audio objects are flagged for different psychoacoustic processing to give the illusion of height or surround?
Main system - Sources (Kodi-HTPC, Vero 4k, FireTV, Sat) into Trinnov Altitude 32 (8-16) (+Roon), Trinnov Amplitude 8 amp & Vivid Audio (Giya G3, V1.5) and REL Stentor III speakers. Others: F80 + Raspberry Pi and other Pi systems.