Is the incoming cable connected to a grounded jack? I'm finding the opposite, mine sounds better with the grounded side connected to the MS600 than my Powerline adaptor. But I don't think the Powerline adaptor jack is grounded - it's just plastic.
Hi Kerry,
To be honest I'm not sure. The incoming cable is attached to an Apple AirPort Extreme which has an external power supply.
The easiest way to test for grounding is to plug a shielded cable into the device and use a (low voltage) multimeter/continuity tester to see if there is continuity between the metal outer of the RJ45 and the earth on the mains plug (obviously when disconnected).
Meridian owner since 1992 Prime & PSU, Focal Elear headphones, Roon (ROCK 8Gi5 NUC), Explorer 1 & 2, F80. 200/203, various Sonos (via Roon).
Sorry, this post probably vies for being one of the longest ever, but I think it�s worth dropping a few thoughts into the mix here.
Screening Screening in Ethernet cables seem to be getting a bad rap here. In fact, a contiguous earth screen running end-to-end is generally a good thing when it comes to preventing noise ingress, and only presents problems if you have different earth potentials on respective devices. The term �ground loop� or �earth loop� is a misnomer, as there is no full loop as such. Instead, if the grounds of two pieces of equipment are at different potentials, a small AC current can flow between those two items along the screen or earth of a signal cable. The signal on the screen then induces corresponding signals onto the signal line(s) and, in analogue equipment, the impact is easily heard as �mains hum�.
As for the earth screen carrying noise, it is no more likely to carry noise than any of the positive and negative going signal lines of the balanced pairs. More on this below.
Noise gets onto Ethernet cables from several sources:
1. Airborne RFI - all of us live in very 'dirty' RFI environments these days. Your own Wi-Fi router is banging out a pretty hairy-arsed signal at 2.4GHz and, in some cases, also at 5GHz. We all live within a km or so of mobile phone masts, which push out a lot of power at anything from 900MHz to 1,800MHz, 2.1GHz, 2.4GHz etc. You could safely say we�re in a high-frequency war-zone. RF is fabulously talented at inducing small electric currents in conductors all around it, more so where there is no shielding. Our Wi-Fi routers are particularly nasty, as you have high-amplitude RF being generated and transmitted within a few cm of Ethernet connections � guaranteed heavy noise ingress there.
2. Mains noise. Most mains noise gets onto domestic circuits in the last few hundred meters to the household, as the high-tension lines used over longer distances are much more RF-resistant. I've experimented a lot with mains and one thing I've learned is that a big percentage of all total noise potentially affecting our kit is right there on the good old mains line. Ironically, a lot of it is generated locally within our own domestic mains systems. Any slightly loose connection, e.g. behind sockets in the ringmain, or just 13A plug push-fit joints, can generate a lot of broadband RF, as the small gaps act like spark-gap transmitters, like those used in early radio transmitters.
3. Power supply noise - so many household appliances, especially computer related devices, now have switch mode PSU, which all bang out RF at around 500KHz. Most of these PSUs are cheap and really leak RF for England. This noise affects both the powered device itself and it pollutes your domestic mains system. In my dedicated mains supply, I make sure to avoid using any SMPSUs for this reason. The real-word example we all know about is Meridian switching from SMPSU to linear between 808.3 and 808v5. Of course, there the SMPSU was high quality, but there were clearly big gains to be had from going linear and Meridian knew it.
Back to earth screens and noise. RF signals induce noise onto conductors by virtue of the oscillating magnetic field that goes with them. The oscillating field induces small currents in nearby conductors. In the context of an Ethernet cable or connection point (effectively an open door to RF ingress), RF is agnostic of what kind of conductor it affects, be it an earth screen or positive or negative-going signal line in one of the balanced pairs. All are equally affected, at least in the absence of screening. In fact, by its nature, the earth screen, if connected to properly grounded devices, will deal with RF noise better than the signal lines, as a good earth offers quite a good low-impedance or �suck out� route to a lot of RF noise. Of course, once RF noise is inside an Ethernet cable, it�s there to stay unless you interfere directly with the signal to remove it.
So, as mentioned elsewhere, breaking the earth screen with the GISO or other types of LAN isolator is of very limited significance in any sonic gains. The big gains come from the filtration which actively removes high frequency RF noise from the signal lines and the earth/screen. But screening in Ethernet cables is very important, as it significantly helps prevent RF ingress. There is better screening in CAT6 than in CAT5 and, in the case of CAT7, you�ll often get two layers of outer screening, in addition to the spec requirement of each of the four balance signal pairs also being independently screened. So the gains Chris and others who have made by switching from CAT5 to CAT6 are to be expected from an engineering point of view. I�ve experimented with Ethernet cable and have heard significant gain from CAT5 to CAT6 and further gain (though not as big) going from CAT6 to CAT7.
Digital signals transmitted in analogue domain Digital signals, when transmitted over any transmission medium (be it air, vacuum or cable), travel as electromagnetic waves in the analogue domain. Inescapably so. Let�s assume the simplest case, that the base digital signal is perfectly square (not true in practice). Let�s also say that signal moves between 0 and 1 levels at a base or �fundamental� frequency of circa 12MHz (about right in AES/EBU carrying hi-rez audio). This signal, when transmitted, becomes a series of sinusoidal waveforms, known as a Fourier series. First, there is a sine wave at the fundamental frequency and let�s say that the amplitude of this first sine wave is notionally 1. Then there are many other similar sine waves, appearing at all the odd harmonics (3rd, 5th, 7th and so on) of the fundamental frequency and at reducing amplitudes. The diagram below shows how you can build up an approximation to a square wave by adding subsequent harmonics.
[img:left]I:\Documents\Hi-Fi\Hitchhikers\Square Wave Harmonics to 15th Odd Harmonic[/img]
For the integrity of a digital signal in transmission to be preserved, this series of analogue sine waves needs to be carried faithfully and accurately, out to many harmonics. In terms of cable design, materials and electrical characteristics, this brings things into perspective. Even if we go right down to the 51st harmonic, 2% of the total original signal energy still lies in that harmonic, and the frequency of this harmonic is circa 600MHz.
In practice of course, you�d get decent recreation of the digital signal at the receiving end using fewer harmonics than this, but the key point now is that, to preserve the digital waveform accurately, we need to carry a wide bandwidth of analogue signals, many of which are quite delicate. Also, being in the analogue domain, all these signals are subject to all the external and internal electrical, magnetic and mechanical influences that affect analogue cables and equipment. So you could quickly see why, in terms of bandwidth alone, CAT5 is removing a lot of important harmonics.
So, over a short run, the 100MHz bandwidth of CAT5 might be OK at a push, but it really isn�t good enough for longer runs. Even if the 100MHz bandwidth of the cable miraculously started exactly at the bottom of the wanted AES/EBU signal range (unlikely, as Ethernet is different to AES/EBU), you could only reach the 9th harmonic before hitting serious attenuation. The 9th harmonic contains over 11% of the signal energy.
Group Delay or Phase Delay More issues here. Many will have heard of group delay in the context of speakers and speaker cables. In effect, different frequencies are carried at different speeds along a given conductor, meaning that different parts of signal arrive at different times. This is a bigger issue at higher frequencies, where wavelengths are shorter. In the context of one of the harmonics above, if one of them fell behind by 90 degrees (or a quarter of a wavelength), you�d be looking potentially at zero voltage where a notional 1 was expected. If the delay slipped out to 180 degrees, you�d have potential for a -1 instead of a +1 and, very quickly, the edges of the square wave fall apart and there is a destructive level of ripple, at which point, error correction has to resort to extrapolation. Minimising group delay ties into careful cable design and use of more expensive materials.
Skin Effect OK, last point before I finally bugger off. When an oscillating signal travels down a conductor (i.e. as an electromagnetic wave), the magnetic currents act to �push� the electrical current toward the outer layers of the conductor. The strength of this push rises rapidly with frequency so that, at 100KHz, all the electrical energy is being carried in the very outer skin of the conductor. This is called Skin Effect and is well established in signal transmission. Given the frequencies we�re dealing with in AES/EBU signals (used between Sooloos source & endpoint), effectively 100% of the electrical energy is carried in a vanishingly thin outer layer of the signal conductors (microns). In effect, the signal is using only a tiny fraction of the total cross-sectional area of the conductor and this causes a dramatic increase in impedance, leading to heavy signal attenuation.
So the best cables are optimized around skin effect, in two basic respects. First, by increasing the ratio of conductor surface area to diameter (thicker conductors, solid core). Second, by using more costly materials such as silver, which is significantly more conductive than copper at very high frequencies. On top of that, getting really good results requires superbly smooth surfaces on the conductors, again down to micron level. I have some experience of these engineering issues, as one of my earliest jobs was in designing RF wave guides for use in airborne radar systems (albeit nearly 200 years ago). Of course, that�s a very different world to small Ethernet and audio conductors, but the same principles apply.
Find a spare short run of CAT5 cable, cut it open and look closely at the signal conductors (with a magnifying glass in the case of my shagged-out old eyes) you�ll see that the signal lines are multi-stranded, which is bad for skin effect: lots of small conductors, with low surface area to conductor size, along with other unwanted magnetic interactions. You�ll find solid core conductors in CAT7 cable, which offer a bigger proportion of skin to conductor size. This is exactly why, when it comes to the much-maligned �audiophile� Ethernet cables, some highly credible high-fi reviewers have reported quite dramatic improvements in sound quality in streaming applications. In light of this, even if very few of us would ever make the investment, the tech described by Audioquest in its Diamond Ethernet cable makes perfect sense. So I�m not surprised that Crion has heard benefits from his cables.
Of course, I�m not saying we�re all making a mistaking by not using thousands of pounds worth of high-end Ethernet cable, but there is certainly sound science behind the idea that they can improve things. That said, I can�t afford to invest in such cable myself, as my main run from MD600 to 808v5 is 20 metres. So I just went with the best industrial quality CAT7 I could find.
Please don�t think I�m under any illusion that I know even one hundredth of what the guys at Meridian know on this whole topic. I�m just drawing attention to some engineering foundations that show how all this stuff could have a very real impact on our sound.
OK time for me to bugger off. Thanks for reading :-)
Against the background of the "Skin Effect", could you explain how you feel the use of a Silver Core on an Ethernet Cable affects
a) the Packetized Data (which is what makes up the Music) which is transferred between the Core and the Endpoint of a Sooloos sytem
b) How the use of Silver as the Core could affect the propagation of EMI along that cable......and just to be clear, I'm not asking about the Shielding on the cable, just the Core material itself??
If I'm reading AQ's website correctly, their Diamond uses a solid core, but not solid silver. I believe the silver is just the outer coating, but I could be very wrong!
Re impact on transmission of packetized data, I've not experimented with Audiophile Ethernet cables. But I'd guess that, if you were to compare two long runs of cable (say 20m), one basic CAT5 or CAT6 and the other AQ Diamond, I think you'd see quite a big difference in attenuation, in favour of the AQ Diamond. It's clearly a matter of extent, but this would certainly reduce SNR in the standard cable and, perhaps, require more error correction. If you were to compare AQ Diamond with bog standard CAT5, the difference in impedance and attenuation would be an order of magnitude, leading to the same impact on SNR.
Of course, it's all down to what the error correction does with this attenuated and lower SNR signal, but experience of the GISO suggest the impact might be bigger than we might expect.
Re EMI, yes, silver is a better conductor and, assuming this is where you're coming from, a silver-skinned solid core conductor would certainly carry any RFI that had got into the cable with less attenuation, along with the wanted HF signal. So, use of silver would need to be counteracted with a very high standard of outer and inner screening. I've also seen some audiophile Ethernet cables that include low-pass filters in line, possible for this very reason.
By the way, I'm not advocating use of AQ products or similar ones - just saying I can see some principles that would explain them offering some performance gain, albeit at very high cost.
Thanks Dave So focusing just for the moment on the known impact of "Skin Effect" on transmission, could you describe which of the statements below best explain what is happening to the Packetized data within the Cables Core(s)......i.e. when comparing say an AQ Silver with a Cat 6 or Cat 7 cable??......obviously choose however many you think are appropriate
1) Does the (Music) Data arrive at the Endpoint quicker......or slower??
2) does it arrive in better "condition"
3) What physical characteristics of the data have been changed as a result of the (possibly) higher SNR on the AQ cable
4) none of the above, but will explain
[FWIW, I think the GISO can be removed from this discussion, as it has nothing to do with the SKin Effect of core transmission......and I think we all understand that its purpose would be to remove / reduce RFI from entering the Sooloos Endpoint]
You can see error rates very easily with certain switches or NICs. Ive left switches on for months at a time and so any error in this period will be logged. I bet everyone on here switches will all say zero errors and collisions too if theirs is a hard wired system unless it is defective in some way. So i don't buy the cable construction leads to attenuation leads to errors which leads to lower sound quality. Network standards for what 99% of people on here will be using will specifying error free transmission for distances probably 10x what people have in their homes. Ive run unshielded cat6 for over 60m for many years in not ideal conditions including in proximity of other cabling and never seen a reported network error, ever.
As for solid vs stranded, solid is for permanent runs, ie keystone terminated and others permanent terminations, stranded is more flexible for patch cables. You can easily build solid patch cables, albeit not so easily to terminate in RJ45's and cable cost will be penny's difference but you may end up with a more brittle cable if its regularly re-routed. I've never needed to use cat 7 so don't know the construction, but I'm not expecting the uses of solid vs stranded to be any different, but happy for someone to enlighten me.
As for screening on cat 5, cat 6 etc. its not part if the standard. So cat 6 is not better screened than cat 5 unless you specify it - you are just as likely to have screened and or shielded cat5 than you are to find with cat6. Granted, some manufacturers put better separation between twisted pairs say with a back bone, but thats their choice of construction as a way of reducing crosstalk but some cables meet standard without. Cat7 is a bit different as this standard is so tough, screened / shielded is the norm needed to meet the standard, but if your just putting 100Mbs or 1Gb over it, cat 7 is way over kill and has other undesirable side effects that actually make cat5e/6 a better choice in many situations.
So not a simple case of higher spec = better as opposite can be true, more a case as of finding the right cable for the job.
Meridian owner since 1992 Prime & PSU, Focal Elear headphones, Roon (ROCK 8Gi5 NUC), Explorer 1 & 2, F80. 200/203, various Sonos (via Roon).
OK, I'll cheat a bit and go for boggo CAT5 versus AQ Diamond.
1) Does the (Music) Data arrive at the Endpoint quicker... or slower? Skin effect does not affect timing in isolation. Delay applies in the analogue domain due to group delay. If group delay was sufficient to affect the integrity of the regenerated data stream at the receiving end, the difference would be loss of integrity (e.g. some extrapolation), not in timing of arrival.
2) Does it arrive in better "condition"? Yes. Less attenuated and with higher SNR (reference all noise at all frequencies).
3) What physical characteristics of the data have been changed as a result of the (possibly) higher SNR on the AQ cable? Assuming attenuation and reduction in SNR are significant enough, greater use of error correction and extrapolation, leading to loss of integrity versus the original data stream.
4) None of the above, but will explain My favourite option ... :-)
I know where you're coming from, in that error correction should, in most cases, fix the data and preserve 100% integrity. But given the potential for order of magnitude attenuation, and that history has shown that digital audio systems sound best when error correction is used least, I'd guess it could be down to this. At the end of the day, whatever the cause and solution, noise is noise and it reduces SNR. When that goes far enough, correction (i.e. changes made with 100% confidence) become extrapolation (informed guessing).
Of course, whether this really is the case, we can't prove or disprove on this forum, without trying the products.
For �day job� reasons of 20+ years ago, I understand the �Skin Effect� [as well as the effect of the other physical phenomena] on cable transmission sufficiently to ensure that I use good quality (thick cored) Digital Coax cable for all SPDIF & HDMI transfers around my Meridian system and AV Components. Likewise, I use custom Power Cables, even though I wouldn�t try and advocate their use as much as there are too many other factors involved in power transmission���so long story short, I do understand the importance of the physical issues you detailed so well in your post above
Diverting off topic for a second, each of is using a �Network 'Card�� in whatever device we are reading this forum on. The SOLE purpose of that Network card is to ensure that the Data it receives via Ethernet is IDENTICAL to the data that was sent to it from the �sender'
No doubt, the use of the word IDENTICAL will be noted���in simple terms, when it comes to Ethernet transmission, there is no such thing as data that is �similar�; or �almost the same�; or �very close� or any other phrases like that
It is the sole purpose of the Network card to make sure that it
1) Compares (using Checksums etc) the Data received to the data that was sent
2) If the Data is not Identical, then it simply throws away that data��.and asks for the data to be re-sent��..and it continues to ask for that data to be re-sent until it is Identical��..or a certain �time-out� period has been exceeded
3) It then �re-assembles� the Data into its original format and passes that onto the other internals of the �computer�
No doubt, the words �thrown away� will be noted���..and this means that �very similar� data will actually be discarded by the card and NEVER used��it will simply be left blank in any �re-assembly�
And now back on topic��.the ID4x acts as the �Network Card� for our Sooloos systems��and MS200 and MS600 have similar interfaces
The SOLE purpose of the ID41 is make sure the received Data is IDENTICAL to what was sent���and to act as a �buffer tank� to allow that all necessary data to be re-transmitted from the Core and then re-assembled [in the correct timing order] so that it matches IDENTICALLY with what the Core sent
The ID41, despite its �1,000 cost, performs no other function within an 861��..it doesn�t Upsample or Apodize��.add any dither�..or perform any other processing, other than ensuring that Identical data is passed from the Core to the 861
If, even after multiple re-tranmissions, a time-out is exceeded, then the ID41 will simply ignore those �packets� and send the remaining data onto the 861
This means that if a Data packet was not identical, then there would simply be a �blank� in the sound replay���.which would be easily audible as a �dropout�
And it is because we don�t hear these �dropouts� that we know that the data received at the ID41 and passed to the 861 is identical to the data transmitted from the Core
One more thing following on from Ronnie's post, I've been led to believe from a reliable source who would know, that Meridian have gone so far as checking that data received internally in their devices during a comparison of a large number of different cables was confirmed all present and correct. And the lack of a Meridian branded network cable in their product kine up will probably be a clue as to whether they found one network cable performing better than any other.
Meridian owner since 1992 Prime & PSU, Focal Elear headphones, Roon (ROCK 8Gi5 NUC), Explorer 1 & 2, F80. 200/203, various Sonos (via Roon).